Nothing synthetic is presented as archive
Where original visual records do not survive, reconstructions may be used. They carry a permanent on-screen label for their full duration and are listed in the end credits.
Editorial policy
This production uses reconstruction sparingly and declares it openly. If you cannot tell whether something on screen is real, we have failed.
Where original visual records do not survive, reconstructions may be used. They carry a permanent on-screen label for their full duration and are listed in the end credits.
No reconstruction places a living person in an event that did not occur, puts words in their mouth, or recreates their likeness without written consent.
Reconstructions depict generic, representative figures unless the family has given explicit written permission and the depiction is evidenced.
Every reconstructed scene is built from a documented reference: a photograph, a plan, a written description or a witness account, recorded against the scene in the planner.
A scene may only be reconstructed after the archive search is logged as exhausted and the outcome recorded in the scene register.
The end credits carry a full reconstruction disclosure listing each reconstructed sequence, its evidence base and the tool used.
Every shot in the film carries one of these labels in its record, and reconstructed material carries it on screen.
Original archive photograph
Original archive footage
Licensed stock footage
Present-day location footage
Dramatic reconstruction
AI-assisted reconstruction
Illustrative map
Family archive
Document
Audio
Every reconstruction brief generated by the production carries this exclusion list, so that historically inaccurate, disrespectful or misleading imagery is ruled out before anything is produced.
Where the production team cannot agree whether a reconstruction is justified, the default is not to use it. Accuracy outranks ambition, and the community's trust outranks both.